I've always owned old cars, for several reasons. They're built better, they're easier to work on, they're cheaper to buy (or, they used to be, before the money grab of the great pandemic) and lastly, it's against my personal religion to waste or throw things away, "Are you gonna eat that?". Also, I'm not someone who sees the car as an object to coddle or treat like a family member. I see them strictly as utilitarian. This old Ford in the photos belongs to a musician friend in Normaltown, in Athens. I've been working on my 22 year-old truck a lot lately, not certain how long I can keep breathing life into it, but this ain't no walkin' town. It ain't a petite village in France. So, I keep working.
Jump ~ Alison Luterman
Because my car is twenty years old and the gizmo that goes ding ding ding when you leave the lights on has been busted for at least a decade, I’m always contending with a comatose battery, always approaching strangers to ask for a jump in Trader Joe’s parking lot or on a deserted street in the growing dark, where a man in a python-green Porsche affixes the red and black alligator clamps confidently yet incorrectly, killing the thing altogether, resulting in a 10 p.m. call to Triple A, an hours-long wait at a 7-Eleven, and a midnight ride sitting in the cab of a tow truck whose driver had just been dumped by his wife of eleven years and desperately needed to talk about it. These are the adventures you may have if you tend to leave your lights on, as I do, at dusk when the light is tricky, the hour between dog and wolf the French call it, when the distracted mind is too full of shadows to remember what the body did just moments ago. By now I’m an old pro at setting up cables, fitting black to minus, red to plus, but I’ll never get over the small miracle of how fast it all works, the spark arcing quicker than thought as soon as a benefactor turns their ignition switch; my own car springing to life again like Sleeping Beauty after just the right kiss, the way a smile will ricochet from a stranger’s face to my own, or one kind word retrieve a flailing soul from the abyss.
This next poem, still one of my all-time favorites. I was turned onto it sometime in the mid to late 90s when Richard Ford read it at a book signing at the Capitola Book Cafe, in Capitola, California. So nice to hear it read with his Mississippi accent.
THE CAR ~ Raymond Carver
The car with a cracked windshield. The car that threw a rod. The car without brakes. The car with a faulty U-joint. The car with a hole in its radiator. The car I picked peaches for. The car with a cracked block. The car with no reverse gear. The car I traded for a bicycle. The car with steering problems. The car with generator trouble. The car with no back seat. The car with the torn front seat. The car that burned oil. The car with the rotten hoses. The car that left the restaurant without paying. The car with bald tires. The car with no heater or defroster. The car with its front end out of alignment. The car the child threw up in. The car I threw up in. The car with the broken water pump. The car whose timing gear was shot. The car with the blown head-gasket. The car I left on the side of the road. The car that leaked carbon monoxide. The car with the sticky carburetor. The car that hit the dog and kept going. The car with the hole in its muffler. The car my daughter wrecked. The car with the twice-rebuilt engine. The car with the corroded battery cables. The car bought with a bad check. Car of my sleepless nights. The car with a stuck thermostat. The car whose engine caught fire. The car with no headlights. The car with a broken fan belt. The car with wipers that wouldn’t work. The car I gave away. The car with transmission trouble. The car I washed my hands of. The car I struck with a hammer. The car with payments that couldn’t be met. The repossessed car. The car whose clutch-pin broke. The car waiting on the back lot. Car of my dreams. My car.
J’adore vintage typewriters. I was asked the other day if I had any photographs of mine. Since my photos are in any number of boxes, or on mysterious thumb-drives, I took some fresh ones. Here are a couple from my collection. The first one is an Hermes 3000, introduced in 1958, made by by Paillard-Bolex in Yverdon, Switzerland.
“William Kotzwinkle’s 1972 novel was named Hermes 3000 after the machine. During his acceptance speech for “Best Screenplay (Brokeback Mountain)” at the 2006 Golden Globes, author Larry McMurtry specifically mentioned his Hermes 3000, stating: “Most heartfelt, I thank my typewriter. My typewriter is a Hermes 3000, surely one of the noblest instruments of European genius. It has kept me for thirty years out of the dry embrace of the computer”.
“Other notable users of the machine are Sam Shepard, Eugène Ionesco and Stephen Fry. Beat writer Jack Kerouac” [[a relative of mine, on the French Canadian side]] “wrote his final novel, Vanity of Duluoz on the Hermes 3000 in 1966. In a March 2018 auction at Bonham’s in London, the Hermes 3000 on which Sylvia Plath had typed her only novel — The Bell Jar — in 1962 was sold for £26,000. In 2013, in an appearance on BBC Radio 4’s Desert Island Discs, actor Tom Hanks named the Hermes 3000 as the luxury item he would choose to take with him.” source Wikipedia
The Guardian later noted that the Bonhams’ sale placed the value of Plath’s Hermes “comfortably above Jack Kerouac’s, also a green Hermes, which pulled in $22,500(£16,000), and John Updike’s $4,375 (£3,110)”.
Next is an Olivetti-Underwood Lettera 32, designed by Marcello Nizzoli in 1963.
“It’s been the machine chosen by countless writers throughout the century, including some of the most iconic creators of our times; Thomas Pynchon, Bob Dylan and Leonard Cohen.”
“Cormac McCarthy used an Olivetti Lettera 32 to write nearly all of his fiction, screenplays, and correspondence, totaling by his estimate more than 5 million words. The Lettera 32 that he purchased in 1963 was auctioned at Christie’s on December 4, 2009, to an unidentified American collector for $254,500, more than 10 times its high estimate of $20,000.” source article A Timeless Work of Art (that also writes).
Today is the beginning of the Creative Growth Art Center Holiday Show. It was difficult to select just some of the pieces from the show — every one of them is a gem. Please support these amazing "outsider" artists.